Semantyka muzyczno-dramatyczna jako podstawa prac Hanny Hawryłeć: założenia i kontekst.

Abstract

In an active period of rapid rethinking of values and the conscious revival of spiritual music, the field of sacred creative activities study has expanded significantly. We find the peculiarities of religious, mental-psychological and philosophical manifestation in contemporary creative activities and, in particular, in the choral spiritual music of Hanna Gavrylets. The purpose of the research study is an attempt to systematise the basic parameters of the concepts and stylistic ideas of sacralisation of the image-bearing content of H. Gavrylets’s creative works. In the conclusions it is stated that comprehending ethno-oriented phenomena and single samples of authentic environment and author’s creativity for her own interpretation, the composer reveals their perception as a holistic artistic and aesthetic system, which is characterised by clear conceptual and constructive patterns in reproduction of interpreted imagery.